摘要
相对于众多的大众化版本,瞿秋白的文艺大众化始终注目着"用什么话写"的方向。考察他的生平和经历,这其实是他清理汉字拉丁化理论地基的产物,身怀旨在文字改革的内在诉求。在他为第二次文艺大众化讨论撰写的理论文章里,汉字拉丁化的色彩越来越浓烈,越来越高蹈,遭到"左联"内部的诸多抵制,最终成为"缺席"的"在场"。
As opposed to many popular versions,Qu Qiubai's popularization of literature and art has always been focused on " what words to be written". Investigating his life and experiences,it is actually the product of his efforts to clean up the foundation of the latinization of Chinese characters and embraces the internal appeal of language reform. In his theoretical essay written for the second popularization of literature and art,the latinization of Chinese characters became more and more intense,more and more uprising. But it was boycotted by CLWL and eventually became the " Presence" of " Absence".
出处
《郑州大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第1期87-91,共5页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
基金
2017年江苏省研究生科研创新计划项目"1930年代文艺大众化与汉字拉丁化关系研究--以瞿秋白为中心"(项目编号:KYCX17_1972)
2017年国家社会科学基金项目"中国近现代西诗汉译及译介编年考录(1807-1949)"(项目编号:17BZW024)