折断的自我:电影《塔洛》集体陈述的话语生成

Absent Ego: Discourse Generation of Collective Statement in Tharlo

《塔洛》是藏族导演万玛才旦执导的最新作品,电影虽然在命名与叙事上聚焦于"塔洛"这一个体,但《塔洛》远非私人故事的虚构,而是藏文化共同体集体焦虑的叙述。创作者通过危机情境的制造与符号化表征系统的建立,瓦解了主人公作为自我的私人属性,实现了私人事务与公共事务的同质化,并生成了电影的集体陈述。本文从影像文本的话语技术层面探讨实现集体陈述的话语生成机制。

Tharlo is the latest movie works of Pema Tseden, a Tibetan director. Although this movie is named after the hero and the story centers around him too, Tharlo is not a fictional story of the private memory but a collective narrative of cultural identity anxiety for Tibetan community. The creator deconstructs the private property of the hero by producing crisis situation and symbolic representation system. Therefore, Tharlo achieves the homogeneity of private affairs and public affairs and creates the collective narrative. This article expounds the discourse generation of collective statement by text-analysis on the movie.