摘要
中日女作家萧红与林芙美子最初都选择诗歌作为自我言说的方式。在诗歌的理想王国中,她们获得言说主体和欲望主体的地位,勇敢表达女性爱的需求与权利;从女性立场审视两性关系,书写爱情逝去后女性心灵的伤痛及愤懑情绪;通过不断的内观与反思认识自我并寻找生命的意义,共同彰显出强烈的女性主体意识。因为具体社会环境、亲情关系和恋爱观的不同,二者诗歌中的女性意识在觉醒程度和呈现方式上又呈现出矛盾退守与决绝抗争,以及孤独的吟唱和群体的言说等个性差异。
Xiao Hong and Hayashi Fumiko are female writers from China and Japan respectively, and in the beginning, they all choose pomes as their way for self" - speaking. In the ideal kingdom of poetry, they acquire the main state of speaking and desire to express women' s demand and right for love; they inspect the gender relation from female' s position and voice women' s pain and indignation after being abandoned. After continuous introspection and rethinking, they find themselves and the meaning of life. Therefore, they all show strong feminine consciousness in their poems. But their poems also have great differences in awakening extent and modes of pres- entation, because of different social environment, family affection and love viewpoint.
作者
方宏蕾
FANG Hong-lei(College of Literary Arts, Chongqing Normal University, Chongqing 401331, China)
出处
《太原学院学报(社会科学版)》
2018年第1期53-58,70,共7页
Journal of Taiyuan University(Social Science Edition)
基金
重庆师范大学研究生科研创新项目(YKC17035)
关键词
萧红
林芙美子
诗歌
女性意识
比较研究
Xiao Hong
Hayashi Fumiko
poems
feminine consciousness
comparative study