摘要
左江花山岩画中的蛙形图像与壮族的蛙图腾之间存在密切的联系。文章首先从生产方式转变、生育文化崇拜等方面论述了蛙图腾的起源,并详细介绍了蛙图腾的表现和民间遗存,通过符号文化、神话思维的角度对其进行探究,最后论述了蛙图腾符号的社会功能。
This paper explored the relationship between the Frog-shaped images in Zuojiang Huashan rock art and Zhuang's frog totem. The origin of frog totem, its social and economic basis, the frog totem and the fertility culture, the performance of the frog totem, and the folk relics of the frog totem are also discussed.Discussion of frog totem was taken from the perspectice of symbolic culture and mythological thinking. Then the social function of the totem symbol of frog was presented.
出处
《民族艺林》
2018年第2期24-31,共8页
Journal of Ethnic Art
关键词
左江花山岩画
蛙图腾
神话思维
社会功能
Zuojiang Huashan rock art
Frog totem
Myth thinking
social function