摘要
川东拔步床木雕因其构造形式和装饰特征而形成自身的木雕艺术风格,但因其地理位置和木材的品相不被人们重视,即将消失。在此,分析川东拔步床的发展及其饱满的构图、多样的形式以及艳丽多金的色彩等木雕艺术造型特征。分析川东拔步床木雕装饰风格的形成渊源在于川东的图腾文化影响和川东先民与移民们对美好生活的愿望以及多文化审美的融合。最后对川东民间拔步床木雕装饰艺术的保护和传承进行展望。
The woodcarving in the east of Sichuan has formed its own woodcarving artistic style because of its structural form and decorative features, but it will disappear because of its geographical location and the quality of the wood. Therefore, through the understanding of the development of the plump bed in East Sichuan and the analysis of its woodcarving art features, the features of the wood carving are full composition, various forms, colorful and golden colors. The origin of the wooden carving decoration style in East Sichuan is the influence of totem culture in East Sichuan and the desire for the beautiful life of the ancestors and immigrants in East Sichuan, as well as the integration of multicultural aesthetics.Finally, the protection and inheritance of woodcarving art in the folk bed of East Sichuan is looked forward.
作者
刘明凤
邓旭
Liu Mingfeng;Deng Xu(Academy of Fine Arts,Chongqing Normal University,Chongqing,401331)
出处
《重庆社会科学》
CSSCI
2018年第8期115-123,共9页
Chongqing Social Sciences
基金
重庆市教育委员会人文社会科学研究项目"川东地区明清至民国时期民间古床木雕艺术研究"(15SKG038)
关键词
川东拔步床
木雕
形成渊源
装饰特点
Eastern Sichuan walking bed
wood carving
forming source
decorative characteristics