佛山北帝诞的粤剧酬神戏与祖庙屋脊公仔

Cantonese Thanking Gods Opera of Foshan North God Birth and Roof Dolls in Zumiao Temple

北帝诞的粤剧酬神戏和祖庙屋脊公仔是两种不同的艺术形态,它们共存于一个宗教空间中,皆以坊间百姓所熟悉和喜爱的折子戏为题材。从艺术人类学的角度来看,两种艺术的功能都是敬神,其主体"观众"是北帝。不过,从两种艺术的相互联系和各自的一些细节设计来看,它们又显出对神祇以外的"观众"的格外关注。

The Cantonese Thanking Gods Opera of North God Birth and Roof Dolls in Zumiao Temple are two different art forms,coexisting in the same religious space.Both of their themes are popular highlights from opera.From the perspective of art anthropology,both of their functions are god worshiping and their main audience is North God.However,from the connection of the two arts and the design of their details,they pay special attention to the audience outside the gods.