学科反思与人文思考(上)——《中国声乐文献导读·总论篇》研究报告

Rethinking the Discipline Issue And Humanistic:Research Report on “Chinese Vocal Music Literature Introduction General”

笔者承担了中国音乐学院"中国乐派高精尖创新中心"2017年度项目《中国声乐文献导读·总论篇》。在项目研究过程中,笔者对中国近代声乐尤其是民族声乐文献进行了系统的搜集与整理。由于《中国声乐文献导读》分为总论篇、土洋之争篇、技法篇和教学篇四个部分,所以在文献选择上本人承担的总论篇有意避开其他三个主题的专论。在上万篇文献中选择了58篇能够反映中国民族声乐综合热点问题的文章,并对这些文章进行系统分析,最终,以"民族声乐学科定位及其文化内涵"、"对中国民族声乐学派建构的不同认知"、"声部建设与中国传统音乐观念"等五个核心问题的分析与探讨撰写此文。希望通过此文的撰写对中国民族声乐的学科建设与未来发展贡献一点微薄之力。

The author has undertaken the 2017 annual project of"Chinese vocal music literature introduction:general”by the"Chinese music high precision innovation center"from China Conservatory of music.The project is divided into four parts:general,music argue between Chinese and western,techniques,and teaching.In the process of project,the author collects and collates the Chinese modern vocal music literature systematically.The author Chose the fifty-eight articles form the tens of thousands articles which reflects the core issues of Chinese vocal music comprehensive,and discuss further from five aspects:"the Chinese vocal music subject orientation and its cultural connotation","different cognition on Chinese vocal music school","musical-parts and Chinese traditional music concept",etc.