唐·德里罗《白噪音》的叙事视角分析

Analysis of the Narrative Perspective in Don DeLillo’s White Noise

美国当代作家唐·德里罗的作品《白噪音》中由空间、意识形态及心理建构的多元叙述视角,表达了男主人公试图摆脱父权危机但最终失败、认清父权衰微局面的内心及行为的复杂特点。本文以《白噪音》为研究对象,在福勒的叙事视角综合分析框架下对作品的叙事特征和表达效果进行研究。在空间视角层面,以人物为载体的空间视角多维度展现了男主人公父权稳固的假象及危机;在意识形态视角层面,人物间或冲突或契合的意识形态影响着男主人公维护父权的行为准则;在心理视角层面,男主人公认清父权衰微的局面的过程得以生动再现。

This study takes the contemporary American Writer Don DeLillo’s novel White Noise as the research object, and explores its narrative characteristics and expressional effects within the framework of Fowler’s narrative perspective. It is found that the spatial perspective with characters as a carrier reveals the illusion and crisis of the male protagonist’s patriarchy. From the ideological perspective, the ideological agreement and disagreement between characters are reflected in the code of conduct of the male protagonist to maintain his patriarchy. From the psychological perspective, the process during which the male protagonist realizes the decline of his patriarchal power is vividly presented. The multi-narrative perspectives of White Noise composed of spatial, ideological and psychological perspectives reveal the complicated inward and outward features when the male protagonist tries to get rid of his patriarchal crisis but ultimately fails and realizes the decline of his patriarchal power.