宋诗东传与异域阐释——四种宋人诗集日本古注本考论

Song Dynasty Poetry Circulated Eastward and Exotic Interpretation——Studies on Four Ancient Annotations of Song Dynasty Poetic Collections in Japan

宋诗是随着朱子学东传到日本的,在日本中世时期就产生了不少关于东坡诗、山谷诗、宋代禅僧诗的“抄物”,即对诗歌的注释、讲解之作。江户时期中期,以市河宽斋、大窪诗佛、山本北山、柏木如亭为代表的“江湖诗社”诗人开始提倡学习“清新”的宋诗,反对“古文辞学派”倡导的唐诗、明诗,他们特别推崇陆游、杨万里、范成大等南宋中兴“三大家”的诗,编纂了很多“三大家”诗歌的选本与注本。本文从日本汉文学史的脉络出发,对日本中世、近世时期四部宋集注本《冠注祖英集》《宋三大家绝句笺解》《感兴诗考注》《中兴禅林风月集注》进行了考证,考察其学术背景与阐释特色。

Song Dynasty Poetry circulated to Japan with the Neo-confucianism in Medieval peroid of Japan,and there were plenty of the annotations to Su Shi,Huang Tingjian,and other Zen Monk’s poems at that time.In the middle of Edo period,many poets launched the trend to learn Song Dynasty Poetry,espeically learned the poems by Lu You,Yang Wanli and Fan Chengda.The Japanese poets compliled many anthologies and annotations for the three Southern Song Master Poets.The paper aims to study four ancient annotations for collections about Song Dynasty Poetry in Medieval and Early Modern Japan,and explore the academic contexts and hermeneutic characteristics of these annotations.