摘要
关于女性和美的观照,是绘画艺术史上自古就存在学科。放到陶瓷绘画领域,特别是在颜色釉的饱满张力之下,人物特别是女性画应是时尚而现代的,高温烧造出的饱满感和力量感,作为底色潜伏在陶瓷画面中,画中美人天真自然。这些美的形象寄托创作者的艺术理想,是从日常和现实中发掘的当代精神的观照。实际上,笔者通过色釉和人物审视现实世界,在探索陶瓷艺术的当代个性中,通过对人物形象和情境的表现,提升古典诗意。这种诗意,正是颜色釉人物画的经典魅力。
The study of women and beauty has existed since ancient times in the history of painting art. In the field of ceramic painting, especially under the full tension of color glaze, figures, especially women’s paintings, should be fashionable and modern. The full feeling and strength created by high temperature firing, as the background color, lurks in the ceramic painting, and the beauty in the painting is naive and natural. These beautiful images rely on the artist’s artistic ideal, which is the reflection of the contemporary spirit explored from the daily and the reality. In fact, the author examines the real world through the color glaze and characters, and in the exploration of the contemporary personality of ceramic art, through the performance of the image and situation of the characters, improves the classical poetry. This poetic style is the classic charm of color glazed figure painting.
作者
陈厚卿
Chen Houqing(Chen houqing Ceramic Art Museum,Nanchang City,330000)
出处
《陶瓷研究》
2019年第6期101-103,共3页
Ceramic Studies
关键词
女性
生命
诗意
地域性
当代性
颜色釉
women
life
poetic
regional
contemporary
color glaze