文艺“群众性”与延安文艺期刊的式微

Literature and Art Intended for the "Masses" and the Decline of Literature and Art Periodicals in Yan’an

1942年后,延安文艺期刊逐步停刊,而文艺"群众性"背景中实施的"书报下乡"运动,则进一步压缩了文艺期刊的生存空间,延安文艺期刊呈现出式微之态。作为此前延安文艺的主要传播媒介和文艺运动的重要成果,延安文艺期刊的式微有着复杂的内外原因,涉及文艺期刊的属性定位、功能意义、运作机制、读者接受诸多问题。恰恰是这些问题,在揭示延安文艺期刊与延安文艺"群众性"内在冲突的同时,也内含着延安对"五四"以来新文学精英化传播倾向的纠正。因此,以延安文艺期刊为切入口,讨论其式微的缘由及影响,也将为延安文艺的"大众化"研究打开新的问题空间。

After 1942,literature and art periodicals in Yan’an gradually ceased publication,and the movement of "books and newspapers going to the countryside" implemented in the background of literature and art intended for the masses further compressed the survival space of literature and art periodicals.Thus,literature and art periodicals in Yan’an showed a declining tendency.As the main media of literature and art in Yan’an and the important achievement of literature and art movement,the decline of literature and art periodicals in Yan’an has complicated internal and external reasons,which involves many problems such as their attributes,positioning,functions,significance,operation mechanism and reader acceptance.However,it is precisely these problems that reveal the internal conflict between these periodicals and the literature intended for the masses in Yan’an.In the meanwhile,these problems also stress the correction of the communication tendency of the new literature elitism since the May 4th movement.Therefore,taking Yan’an literature and art periodical as a starting point,discussing the causes and influences of its decline will also open up a new space for the study of "popularization" of literature and art in Yan’an.