摘要
从1915年出版《中国文学史》,1929年修订,到1949年完成《中国文学史纲》,曾毅由最初借鉴日本学者的文学观,到最后复归“文以载道”,并且独创性地将文学史划分为“书系文学”“诗系文学”,以“文”“学”关系来对文学史进行分期,清晰地呈现出其文学史观念的变迁脉络。曾毅的文学史著作群代表了民国时期中国文学史书写中的改良派一脉,展现出了不同于新文化人文学史写作的另一种形态。
From publishing the History of Chinese Literature in 1915,revising it in 1929,to completing the Outline of the History of Chinese Literature in 1949,Zeng Yi originally borrowed from Japanese scholars’literary outlook,and finally returned to“Writings for Conveying Truth”.Literary history is divided into“literature of Shangshu”and“literature of Shijing”,and the literary history is staged by the relationship between“literature”and“academic”,which clearly shows the changing context of concept of literary history.Zeng Yi’s literary history writing group represents the pulse of the reformist school in the writing of Chinese literary history during the Republic of China,showing a different form from the writing of the literary history in the New Cultural Movement.
作者
陈文新
王少芳
CHEN Wen-xin;WANG Shao-fang(School of Chinese Classics,Wuhan University,Wuhan,Hubei 430072,China)
出处
《山西师大学报(社会科学版)》
2020年第3期8-13,共6页
Journal of Shanxi Normal University(Social Science Edition)
基金
国家社会科学基金重大招标项目(17ZDA243)。
关键词
曾毅
文学史
文学观
文学改良
Zeng Yi
literary history
view of literature
improvement of literature