圆性时间与实性空间

Circular Time and Embodied Space

从自然生活世界到技术生活世界有一个断裂,这个断裂在哲学上首先表现为时间和空间经验的转变。现代形而上学批判即起步于此。马克思首先敏锐地洞察到技术工业带来的世界巨变,并且用"以时间消灭空间"来描述之。尼采批判传统的以物质运动为定向的线性时间观,开启了一种以创造性生命经验为基准的"圆性时间"观,后者显然已经蕴含着时间的空间化。海德格尔后期更进一步,思入一种时间与空间贯通一体的本源性的"时—空"观,我们可以从中引申出反传统的时间理解和空间理解:时间是不直的,而空间是不空的。进一步的问题是:这种区别于自然生活世界的时间和空间概念的新"时—空"观与技术生活世界是何种关系?笔者认为,主要由现代思想开启的新"时—空"观为当代艺术提供了思想前提,同时也通过当代艺术对技术生活世界作出抵抗性反应。

There is a gap from the worlds of natural life to the technical life,manifested in the first place in philosophy as the transformation of the experience of time and space,which is the start point of modem metaphysics'criticism.Marx is one of the first who keenly perceives the great changes in the world brought about by the technology industry,and describes it as "annihilating space with time".Nietzsche criticized the traditional view of linear time oriented by the movement of material and put forward the view of "circular time" based on creative life experience which implies a spatialization of time.Heidegger went further by proposing an intrinsic "time-space",an integration of time and space,which we can derive anti-traditional notions of time and space,that time is not straight,and space is not empty.Then the question is:What is the relationship between this new time-space concept and the world of technical life?This article believes that the new concept of time and space,which is mainly initiated by modem thinking,provides the ideological premise for contemporary art,and through contemporary art,it responds to the world of technical life.