摘要
女性描写是福楼拜作品《包法利夫人》中的主要特色,福氏解构了父权制文化中妇女两种对立的女性形象——妖魔与天使,而恢复其女性自身“真实需要”的形象。福氏采用解构手法,以此批判所处的资本主义社会和资产阶级对女性的无情迫害,批判建立在剥削女性的“真实需要”之上男性的需要,福氏的这种批判意识彰显了他的先进思想意识——马克思女性意识。这种意识不仅加速了女性运动的崛起,而且加强了中国女性对社会主义制度优越性的认同感。
Female description is the main feature of Flaubert's Madame Bovary.He deconstructs the two opposite female images of women in patriarchy culture--demons and angels,and restores the image of women's own"real needs".By means of deconstruction,he criticizes the ruthless persecution of women by the Capitalist Society and the Bourgeoisie,and criticizes the needs of men based on the female’s sacrifice of their"real needs".His critical consciousness shows his advanced ideology--Marx's female consciousness.This consciousness not only accelerated the rise of the women's movement,but also strengthened the Chinese women's sense of identity with the superiority of the socialist system.
作者
郭秀华
GUO Xiuhua(Fujian Vocational College of Agriculture, Fujian, Fuzhou 350119, China)
出处
《山东商业职业技术学院学报》
2020年第5期97-100,共4页
Journal of Shandong Institute of Commerce and Technology
关键词
马克思女性主义
女性意识
解构
包法利夫人
Marxist Feminism
female consciousness
deconstruction
Madam Bovary