社会转型背景下的女性表征——基于20世纪50—80年代中国台湾地区女性电影的考察

Representation of Women in the Context of Social Transformation:Based on the Investigation of Taiwan Residents Female Films from 1950s to 1980s

20世纪50-80年代是中国台湾地区社会工业化转型、女性地位改变的关键时期。电影与现实的镜像关系,奠定了探讨这30年间中国台湾地区女性电影与中国台湾地区工业化转型之间互动的理论基础。基于前台的文本分析和后台的内容分析,首先,结合30年间中国台湾地区社会的转型特征对中国台湾地区女性电影的主题进行系统梳理与阐释,后者经历了由"实"—"虚"—"实"的历史演变。其次,进一步归纳和阐述该时期中国台湾地区女性电影主题建构的女性形象及其主体意识,包括"地母""烈女""祸水""新女性"等,它们表征了女性意识渐显的过程。最后,从主题叙事和形象建构中提炼出贯穿该时段女性电影的核心议题:父权秩序与话语随着时代变革开始从统治趋于瓦解。

The period from 1950 s to 1980 s was crucial for the industrial transformation of Taiwan and the change of women’s status.The mirror relationship between film and reality has laid a theoretical foundation for exploring the interaction between Taiwan Residents female films and Taiwan’s industrialization in the past 30 years.Based on the text analysis in the foreground and the content analysis in the background,firstly,the theme of Taiwan Residents female films is systematically sorted out and interpreted in combination with the transformation characteristics of Taiwan society.The theme has experienced the historical evolution from"real"to"virtual"and then back to"real".Secondly,it further summarizes and expounds the female images and subject consciousness constructed by the theme of Taiwan Residents female films in this period,including"Earth Mother","heroic woman","Femme fatale"and"new woman",which represent the process of the gradual emergence of female consciousness.Finally,the core issue of female films in this period is extracted and analyzed from the theme narrative and image construction:the patriarchal order and discourse begin to disintegrate with the change of times.