摘要
在非物质文化遗产的保护实践中,影像记录是一种重要的手段和方法。非遗从口头文本讲述逐渐转向影像书写的记录过程是需要继续深入研究的。在非遗的影像实践中,集体记忆与个体意识是相互塑造的关系,传承人的个体技艺大多通过口传心授的方式进行传承,同时其所代表的非遗项目又在集体的知识记忆框架体系中得以建构。因此,在当下如何更合理、更全面地用影像解读非遗,记录非遗传承人和项目就显得尤为紧迫。
In the practice of intangible cultural heritage protection,image recording is an important means and method.This paper discusses the recording process of intangible cultural heritage from oral text to image writing.In the image recording practice of intangible cultural heritages,collective memory and individual consciousness are mutually shaped.Most of the inheritors'individual skills are passed on through oral and psychological teaching.At the same time,the intangible cultural heritage projects they represent are constructed in the collective knowledge memory framework system.Therefore,it is particularly urgent to record the inheritors and projects of intangible cultural heritages in a more reasonable and comprehensive way.
作者
刘东亮
LIU Dongliang(Department of Social Education, National Library of China, Beijing 100081, China)
出处
《南都学坛(南阳师范学院人文社会科学学报)》
2021年第4期21-24,共4页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
基金
国家社会科学基金重大项目“当代中国公众历史记录理论与实践研究”,项目编号:19ZAD194。
关键词
非遗
影像史
记录方法
集体记忆
文化自觉
intangible cultural heritage
image history
recording method
collective memory
cultural consciousness