摘要
生活中并不陌生的标准意识,在中国民族乐器领域一直受限于学术观念的发展,直到近代才真正受到重视。中国乐器标准化问题的历史,先有以轻工业系统为主力的探索,后有音乐意义的回归与深入,到如今着眼前路,反思问题,多方参与,呼应共进。从中国乐器发展和应用角度研究中国民族乐器标准化问题,与珍惜地方乐器个性和语汇并不相悖。
The all too common importance attached to standard has caused the field of Chinese national musical instruments to be restricted by the development of academic concepts until modern times,when greater importance was finally attached to it.The history and train of thought behind the standardization of Chinese musical instruments began with the exploration of the light industry system treated as a main force.This was followed by a return to and deepening of the significance of music,up to our present day,as striving for common progress.A study of the standardization of Chinese national musical instruments conducted from the perspective of the development and application of Chinese musical instruments does not go against the cherishing of local musical instruments’individual character and vocabulary.
出处
《艺术探索》
CSSCI
2021年第3期90-95,共6页
Arts Exploration
基金
2018年度国家社科基金艺术学项目青年课题“现当代中国民族乐器发展思潮研究”(18CD178)。
关键词
乐器
民族乐器
标准
标准化
Musical instruments
National musical instruments
Standards
Standardization