论陈彦“舞台三部曲”的跨文体写作

On Chen Yan's Cross Style Writing of"Stage Trilogy"

跨文体写作是陈彦小说创作的突出特征和重要特色,这种跨文体具体体现为小说的戏剧化处理,即在小说创作中融入戏剧的元素。陈彦小说中渗入大量戏剧内容,这些戏剧内容与小说文本构成互文关系,参与了小说文本的建构并成为小说的有机组成部分。陈彦小说中人物塑造有戏剧化(类型化)特征,他的小说也有戏剧化的情节、情境与修辞等。陈彦小说的跨文体写作使得传统情节型小说写法在新世纪文学中焕发出新的生机与活力,为新世纪小说文体发展探索出一条新路。

Cross style writing is a prominent feature of Chen Yan's novel creation.This cross style is embodied in the dramatic treatment of novels,that is,integrating dramatic elements into novel creation.First of all,Chen Yan's novels incorporate a large number of drama contents.These drama contents form an intertextual relationship with the novel text,which is an extension and interpretation of the connotation of the novel.These contents participate in the construction of the novel text and become an organic part of the novel.Secondly,the characters in Chen Yan's novels have dramatic characteristics.In addition,his novels also have dramatic plots,situations and rhetoric.The cross style writing of Chen Yan's novels rejuvenates the traditional plot novels and explores a new way for the development of novel style in the new century.