从自画像到自拍像:艺术媒介视域中的自我形象审美嬗变

From Self-Portrait to Selfie:Aesthetic Evolution of Self-image in the Vision of Artistic Media

自画像和自拍像都是建构人类自我形象的审美方式,都有记录真实的原初目的,都强调个人身份、自我意识的呈现。自画像自文艺复兴后真正作为一种绘画艺术出现在历史舞台,艺术家从隐身于画布之后到逐渐进入画面中心,是自我意识觉醒和艺术权力的表征;随着手机媒介的出现、大众的热情参与,自拍像成为一种大众表征自我、传达自我的传媒艺术。从镜子到芯片镜头的工具媒介变迁、从边框形式的固定到游移,自拍像解构了自画像时代艺术家建立的艺术威权,但同时也带来了身份的“误认”和个人的“缺席”。考察自画像和自拍像的审美嬗变,可以了解艺术媒介对人像艺术、社会以及个人生活体验产生的深刻影响。

Both self-portrait and Selfie are aesthetic ways to construct human self-image,both have the original purpose of recording the truth,and both emphasize the manifestation of personal identity and self-awareness in the works.Since the Renaissance,self-portrait has really appeared on the historical stage as a painting art.From hiding behind the canvas to gradually entering the center of the picture,the artist is the representation of self-consciousness awakening and power construction.With the strong involvement of mobile media and the enthusiastic participation of the public,the selfie image has become a media art for the public to represent and convey themselves.From the change of mirror to chip lens,and the change of frame from fixed to moving,the self-portrait deconstructs the artistic authority established by artists in the era of self-portrait,but at the same time,it also brings about the“misidentification”of identity and the“absence”of individuals.By comparing the aesthetic evolution of self-portrait and selfie,we can understand the profound influence of artistic media on portrait art,society and our personal life experience.