摘要
“凹凸法”源自印度,是以用色和线描为核心,塑造出平面绘画立体效果的技法。在汉唐时期的丝路文明交流中,“凹凸法”进入古代中国。经中国历代画家的继承和发扬,“凹凸法”保留了追寻立体造型的导向,延续了对色彩的重视,不用或弱化轮廓线,更以“没骨法”为名,演化出了“没骨山水”和“没骨花”。
"Concave and convex method of painting",originated from India,is a technique to shape the three-dimensional effect in plane painting with color and line drawing as the core.In the exchange of the Silk Road civilizations in the Han and Tang Dynasties,"concave and convex method of painting"was introduced in the ancient China.Inherited and developed by Chinese painters of the dynasties,this method retains the direction of pursuing three-dimensional modeling,continues the attention to colors,does not use or weakens the contour line,and evolves"mogu shanshui"and"mogu flowers"in the name of painting method of mogu(weakening contour line).
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2021年第6期12-20,I0011,共10页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
教育部人文社会科学研究青年项目《唐代丝绸之路上的外来绘画研究》(19YJCZH012)
北京市社会科学基金项目《唐代异域高僧与丝绸之路中外美术交流》(19JDYTB009)
中央高校基本科研业务费专项资金(21YJ150002)。
关键词
凹凸法
没骨法
渊源
演进
丝绸之路
concave and convex method of painting
painting method of mogu(weakening contour line)
origin
evolution
the Silk Road