摘要
谢安《八月五日帖》是米芾收藏的晋人三帖之一,原迹已佚。本文比勘历代丛帖刻本以及传世临本,尝试复原米藏原卷的面貌及其在后世的流传过程,并推断故宫博物院藏宋拓《松桂堂帖》本为最早版本,与上海图书馆藏《宝晋斋帖》所刻残本为同一来源;《戏鸿堂法书》本虽然晚出且摹刻失真,但很可能是以当时尚存的原迹上石。
The handscroll of ’The Letter on Lunar August 5’ attributed to Xie An is one of the three Jin-dynasty masterpieces of calligraphy model in Mi Fu’s collection, but unfortunately, its original is missing. The contrast between the copies including rubbings and writings of dynasties intends to figure out the original with its source and circulation in history along, coming to the judgment that the Song-dynasty rubbing of ’Song Gui Tang Tie’(《松桂堂帖》) of the Palace Museum is the earliest copy, which has the shared source with the incomplete calligraphy model of ’Bao Jin Zhai Tie’(《宝晋斋帖》) of Shanghai Library. The later model of ’Xi Hong Tang’(《戏鸿堂法书》) not quite true to the original is probably based on the remaining scripts of that time.
出处
《故宫博物院院刊》
CSSCI
北大核心
2022年第3期61-72,153,共13页
Palace Museum Journal
关键词
米芾
法帖
谢安
《八月五日帖》
Mi Fu
model of calligraphy
‘The Letter on Lunar Auguest 5’attributed to Xie An