直面现实:抗战初期木刻版画的社会介入及其审美构成

Confront the Reality: the Social Intervention and the Aesthetic Composition of the Wood Engravings during the Initial Period of the Anti-Japanese War

抗战初期的木刻版画是艺术社会学在中国最具代表性的实践,五四新文化运动及其所影响的政治、文学、教育、美学等是木刻版画发展的思想土壤,它的社会介入是在各艺术团体有组织的活动中完成的,直面现实是其发展的具体方法,也是发展的审美结果。

The wood engravings during the initial period of the anti-Japanese war are the most representative practice of sociology of art in China. The May 4th movement of New Culture and its the influences on politics, literature, education,aesthetics, etc, is the ideological soil for the development of wood engravings. Its social intervention is completed in various organized activities of art groups. Confronting the reality is the specific method and the aesthetic result of its development.