摘要
2021年9月29日,苏州博物馆西馆试运营,“技忆苏州—苏作工艺陈列”展作为基本陈列之一首次亮相。展览以苏作工艺品为展示对象,通过三大展区21个单元进行分类展示,以物质遗产阐释非物质遗产,实现博物馆记忆重构的功能。展览通过还原苏州古典园林情境,以物的重新组合和编排,联结历史与当下,唤起观众对江南文化的集体记忆和地域认同。文章以哈布瓦赫集体记忆理论为基础,从视觉叙事设计和非遗文本叙事两个方面分析其策展思路。
On September 29,2021,Suzhou Museum West officially started its trial operation,and the exhibition "Memories of Suzhou Crafts" debuted.The exhibition had three major display sections that included twenty-one units to present Suzhou handicrafts in categories.The goal was to use material heritage to illustrate intangible heritage and to realize the reconstructing memories in a museum setting.Based on Halbwachs’ theory of collective memory,this article analyzes curatorial ideas from two aspects:the visual narrative design and the textual narrative of intangible cultural heritage.By restoring the context of Suzhou classical gardens and rearranging the art pieces,this exhibition aimed at connecting the intangible heritage with the present day and,accordingly,evoking the audience’s collective memory and regional identity of Jiangnan culture.
出处
《艺术与民俗》
2022年第2期5-12,共8页
Journal of Arts and Folklore
关键词
记忆重构
集体记忆
策展
非物质文化遗产
Memory Reconstruction
Collective Memory
Curatotial Practice
Intangible Cultural Heritage
