《簪花仕女图》断代问题研究综述

The Research overview of the Dating Issue of the Painting of Flower-wearing Beauties

《簪花仕女图》作为中国古代绘画史上的一幅杰作,其断代问题于20世纪50年代引发学界关注,虽讨论者甚众,但至今尚未形成定论。文章就《簪花仕女图》断代问题的相关研究进行考察与回顾,从目前学界已形成的几种不同说法、诸位学者所选取的差异化视角两条路径出发,试做系统的归纳与总结,并就此议题提出一些个人思考。

As one of the masterpieces in the history of ancient Chinese painting,the dating issue of Painting of Flower-wearing Beauties has attracted the attention of the scholarly community since the 1950 s,and although it has been widely discussed,no definitive conclusion has been reached.This paper intends to examine and review the research on the dating issue of Painting of Flower-wearing Beauties,starting from the two paths of several different theories that have been formed in the academic community and the different perspectives chosen by scholars,and tries to systematically summarize and put forward some personal thoughts on this topic.