摘要
无锡惠山“竹炉题咏”自明初发轫,一直持续到清末民初。这些题咏充分反映了江南文教兴盛、文人热衷结社雅集的特征。若将其置于广阔的时代背景,同时充分考虑士人心态、地方文化等要素,“竹炉题咏”亦具有反映参与者内心世界的作用,具有丰富的意蕴。秦夔访求竹炉一事具有梁溪秦氏家族介入地方艺文风雅的滥觞意义,顾贞观仿制竹炉凸显了明清易代之际遗民家族的挣扎和努力,乾隆帝南巡有关题咏则主要体现了维护清廷统治的需要。
“Poetry Chanting of Huishan Bamboo Stove”began in the early Ming Dynasty and continued until the end of Qing Dynasty and the beginning of the Republic of China.These poems fully reflect the prosperity of culture and education in Jiangnan area,and the literati s love of association and gathering,and their love for association.If it is placed in the broad background of the times and social trends,while fully taking into account the mentality of scholars,local culture and other factors,“Poetry Chanting of Huishan Bamboo Stove”has a more reflective role in the participants inner world with rich implications.Qin Kui s visit to the bamboo stove has the original significance of the Qin family s involvement in the local arts and culture of Liangxi.Gu Zhenguan s imitation of the bamboo stove reflects the struggle and efforts of the families of the adherents at the time of the Ming and Qing dynasties.The related chants of Emperor Qianlong s southern tour are mainly the need to maintain the rule of the Qing court.
作者
马国云
MA Guoyun(Science Research Department,Wuxi Open University,Wuxi 214011,China)
出处
《镇江高专学报》
2023年第2期19-23,共5页
Journal of Zhenjiang College
基金
2020年度江苏高校哲学社会科学研究一般项目(2020SJA0772)。
关键词
竹炉题咏
秦氏家族
顾贞观
Poetry Chanting of Bamboo Stove
Qin Family
Gu Zhenguan