摘要
觱篥是由西域传来的双簧管吹乐器,在唐代开放的社会格局中得以盛行,并有文士创作了多首觱篥诗歌。觱篥诗歌富有文质气韵的书写为历史文献中觱篥的客观写实增添了一重想象的维度,形成境由诗记、形获史证、韵得音传的历史现象。本文基于音乐、诗歌与历史的交叉研究,旨在厘清唐代觱篥诗人与乐人的交流形式,唐诗中觱篥的情感导向与音乐表现,唐诗中觱篥乐人的身份属性及社会地位,以及唐诗中觱篥曲《雨霖铃》的遗韵传承。通过对唐代觱篥诗中乐器、乐人、乐曲等的分析,填充唐代觱篥的历史色彩,绘制唐代觱篥的生动历史图像。
Tartar pipe is a double reed wind instrument passed down from the Western Regions,which was popular in the open social structure of the Tang Dynasty.Some scholars have created many poems on Tartar pipe.The literary and rhythmic writing of Tartar pipe poetry adds an imaginary dimension to the objective realism of Tartar pipe in historical documents,forming a historical phenomenon in which the context is recorded in poetry,the form is verified by history,and the rhyme is transmitted by sound.Based on the cross-study of music,poetry,and history,this article aims to clarify the forms of communication between Tartar pipe poets and musicians in the Tang Dynasty;The emotional orientation and musical expression of the Tartar pipe in Tang poetry;The identity and social status of the performers of the Tartar pipe Music in Tang poetry;And the inheritance of the lingering chaim of the Tartar pipe melody "Bells Ringing in the Rain"in Tang poetry.Through the analysis of the musical instruments,musicians,and music in the poetry of the Tang Dynasty,the historical color of the Tang Dynasty,s Tartar pipe is filled in,and a vivid historical image of the Tang Dynasty Tartar pipe is drawn.
作者
赵慧芳
ZHAO Huifang(School of History and Society,Xinjiang Nonnal University,Urumqi 830054,Xinjiang,China;School of Music,Shaanxi Nonnal University,Xi'an 710119,Shaanxi,China)
出处
《安康学院学报》
2023年第2期63-69,共7页
Journal of Ankang University
基金
国家社会科学基金项目“丝绸之路乐器考”(19XSH014)
新疆维吾尔自治区教育厅研究生科研创新项目“民族文化交流视阈下的筚篥研究”(XJ2022G191)
陕西师范大学音乐学院本科生教学高质量发展项目“文化自信视域下西安鼓乐课程的实践教学创新研究”(m21-kcsz001)。
关键词
唐诗
觱篥
雨霖铃
胡俗交融
Tang poetry
Tartar pipe
Bells Ringing in the Rain
Integration of Hu and Han