抗战时期黄新波木刻创作的抒情转向

Huang Xinbo’s Woodcut Creation Turn to Expressing His Feelings during the War against Japanese Aggression

黄新波是富有诗人气质的画家。他在抗战时期除了创作宣传性、战斗性极强的现实主义木刻,还有《爱》《心曲》等一批具有抒情风格的木刻组画。后者独特的艺术风格的形成经历了从为集体“大我”发出抗争声音到观照个体“小我”抒情表达的转向,其中既有坚持写实的基调又有强化表现主义的因素。以《路碑》序中鹿地亘的批评为契机,以《爱》体现的“贵在真诚的抒情”为转折,以《心曲》内蕴的象征性、艺术性、抒情性的交融为标志,黄新波战时木刻的抒情转向对他在中国香港时期(1945-1949)的木刻、油画创作以及在新兴木刻运动的艺术成就上都有着独特的意义。

During the War against Japanese Aggression,Huang Xinbo,a poetic artist,created realistic woodcuts that spread widely and ignited people's will to fight,and a series of lyrical woodcuts,such as Love and Song for Heart.The unique artistic style of the latter has turned from speaking out for the collective"big self"to the lyrical depiction of the individual"small self",which strengthens expressionism on the basis of realism.With Wataru Kaji's criticism in the preface of Road Tablet as an opportunity,"sincerely expressing feelings"embodied in Love as a turning point,and the symbolic,artistic and lyrical features of Song for Heart as a symbol,Huang's turn to lyrical style during the War has been unique to his woodcut and oil painting creation in China Hong Kong(1945-1949)and his artistic achievements in the emerging woodcut movement.