摘要
“刻工”是一个广义的概念,有两重含义:既指“人”,也指“技艺”,二者是辩证统一的关系。中国雕版印刷技艺是人类非物质文化遗产,刻工是这项技艺的传承人。以非遗保护的视角对“名工精刻”的个案进行研究,能够更深入地分析其在中国古籍版刻审美中的重要作用,有助于更好地鉴赏古籍版刻的艺术之美。与此同时,培养雕版印刷技艺的传承人十分必要,而让这项非遗进入高校不失为是一条有效的传承途径。
"Engraving"is a broad concept with two meanings:it refers to both"people"and"skills",and the two are dialectical and unified.China's woodblock printing technique is the intangible cultural heritage of mankind,and the engraver is the inheritor of this technique.From the perspective of intangible cultural heritage protection,we can deeply analyze the important role of fine engraving by famous workers in the aesthetics of ancient book engraving in China,which is helpful to better appreciate the beauty of ancient book engraving.It is very necessary to cultivate the inheritors of block printing technology,and it is an effective way to let this intangible heritage enter colleges and universities.
作者
何亦邨
Heyicun(Anhui University of the Arts,Hefei,230013)
出处
《内蒙古艺术学院学报》
2023年第2期126-136,共11页
Journal of Inner Mongolia Arts University
基金
国家社科及艺术学重大项目“新中国成立70周年戏曲史·安徽卷”(项目批准号:18ZD08)的系列研究成果
2022年安徽省高等学校科学研究项目(哲学社会科学)“地方戏剧团现存情况调查——以宿州泗州戏、坠子戏为例”(项目编号:2022AH052012)的阶段性研究成果。
关键词
名工精刻
古籍版刻
审美鉴赏
中国雕版印刷技艺
非遗保护
Fine engraving by famous workers
The Chinese ancient engraving books
Aesthetic appreciation
China's woodblock printing technique
Intangible heritage protection