顾桃边缘影像的参与式观察

Participatory Observation of Gu Tao’s Marginal Images

《敖鲁古雅·敖鲁古雅》《雨果的假期》《犴达罕》《神翳》等影片构成了顾桃边缘影像的参与式观察。他将自己融入这些边缘人群的生活,了解当代边缘民族文化与人群面临的困境,记录边缘文化与主流文化碰撞后无可抵挡的消逝过程,客观的为观众呈现“边缘人”的精神世界,映射出这些边缘群体对森林、大自然的热爱与敬畏,引发观众对文化与文化、文化与人之间的反思,在无声的观察中展现他对少数民族的人文关怀与少数民族文化影像化的诗意呈现。

“Ooluguya.Ooluguya”,“Hugo’s Vacation”,“Jail Dahan”,“The Cataract of God”and other films constitute Gu Tao’s participatory observation of marginalized images.He integrates himself into the life of these marginalized people,understands the dilemma faced by the contemporary marginalized ethnic cultures and people,records the irresistible fading process after the collision between the marginalized culture and the mainstream culture,and objectively presents the audience with the spiritual world of the“marginalized people”,maps out the love and reverence of these marginalized groups for the forests and nature,and triggers the audience’s concern for the relationship between culture and culture,and between culture and people,and demonstrates his humanistic care for ethnic minorities and poetic presentation of ethnic minority cultures in his silent observation.