神性在场与自我意识的觉醒——文艺复兴自画像研究

The Divine Presence of and the Awakening of Self-awareness:A Study on Renaissance Self-Portraiture

自画像相对于其他绘画类型更能凸显艺术家的主体意识,不仅是艺术家自我认知的集中体现,同时参与着特定社会语境下的文化构建。本文聚焦文艺复兴时期的自画像,结合15世纪至16世纪的时代思想背景,探索艺术家在自画像创作过程中的自我塑造,认为该时期的自画像包含神性在场与自我意识的觉醒两个重要维度。

Self-portraiture can better demonstrate an artist's awareness than other types of painting,which not only reveal the artist's understanding,but also help promote cultural development in a specific social context.This article focuses on self-portraiture created during the Renaissance,and,based on thoughts between the 15th and the 16th Century,explores the self development of artists in their creation of self-portraiture.It believes that self-portraiture of this period contain two important aspects,namely the divine presence and the awakening of self-awareness.