摘要
《白石道人歌曲》留存减字谱、律吕字谱和俗字谱三种古谱,是重要的宋元古谱文献,有重要的历史价值和学术价值。从清代“白石谱”重新被发现至今,不少学者对此关注并发表了一系列研究成果,产生了多个不同的译本。但综观“白石谱”的研究,在版本校勘、解译理念及方法等方面,还存在着不少问题。这些问题或多或少影响着人们对古谱的正确解译与研究。文章就白石谱的古谱留存、研究内容、解译理念、存在问题等层面进行探讨。
The Baishi Daoren Songs have survived to the present in three forms of ancient notations:Jianzi notation(减字谱),Lvlvzi notation(律吕字谱),and Suzi notation(俗字谱).These notations are important documents of musical notation from the Song and Yuan Dynasties,holding significant historical and academic value.Since the rediscovery of the notations in the Qing Dynasty,many scholars have paid attention to them and published a series of research findings,leading to various translations.However,despite this research,there are still many problems related to the versions of the notations and the concepts and methods of their interpretation.This study discusses the preservation,research content,interpreting concepts,and the shortcomings in the existing research of the notations.
出处
《中国音乐》
CSSCI
北大核心
2024年第4期53-61,共9页
Chinese Music
基金
2022年度国家社科基金艺术学重大项目“中国传统音乐古谱研究”(项目编号:22ZD13)的阶段成果。
关键词
白石道人歌曲
俗字谱
减字谱
律吕字谱
解译理念
Baishi Daoren Songs
Suzi Notation
Jianzi Notation
Lvlvzi Notation
Interpreting Concepts