音符传情:民国时期马思聪《西藏音诗》创作历程和传播效应

Notes Convey Emotion Ma Si-cong's Creative Experience and Communicative Effect of Tone Poem in Xizang in the Period of the Republic of China

多民族文化交流与传播,是形成具有充满活力、辐射力强劲的中华文化的前提。1941年,著名小提琴音乐作曲家、演奏家马思聪依据藏地纪录片《西藏巡礼》、内地流传的西藏民歌和英文书籍中对西藏剑客的描写,并结合广东音乐中的“连环扣”,采用西方乐器小提琴,谱写了闻名于世的体现西藏人民顽强精神的音乐华章《西藏音诗》。自此,《西藏音诗》在全国各地演奏,成为媒体宣传热点,受到知识分子追捧,并被国家级交响乐团——中华交响乐团定为固定演奏节目,逐渐受到全国群众的关注与喜爱。《西藏音诗》不仅是马思聪个人代表作,还是西藏同内地文化交往交流交融历史事实的有效载体,逐渐成为中华民族共同体的历史记忆,展现了中华文化共同性,进而增强了各族民众对中华文化的自信。对此,学界应加大挖掘、整理、宣传西藏同内地文化名人交往交流交融的真实案例,进而推进铸牢中华民族共同体意识研究。

Multi-ethnic cultural exchanges and dissemination are the prerequisites for the formation of elements and symbols of Chinese culture with a certain universal value.In 1941,the famous violin music composer and performer Ma Si-cong used the description of swordsmen of Xizang on part of the docu-mentary of"Tour in Xizang",folk songs of Zang people and English books circulating in the mainland.And he used the violin,a musical instrument in western world,to compose a world-famous masterpiece of Tone Poem in Xizang,expressed the spirit of the Zang people.Since then,"Tone Poem in Xizang"has been played all over the country,recorded into records,organized into books for publication,attrac-ted the fan's attention and praised by the intellectuals and kept the favorite program in its performance of China National Symphony Orchestra.Tone Poem in Xizang by Ma Si-cong is a cultural carrier for the communication and development of music between the Han and Zang people.It is not only Ma Si-cong s personal masterpiece,but also gradually became a classic of Chinese culture,which has strengthened the recognition of Chinese culture by the people of all ethnic groups.Accordingly,a series of real cases of the exchange of cultural celebrities between Xizang and the mainland should be explored,sorted and publicized to increasingly promote the study of creating a strong sense of community for the Chinese na-tion.