心理时间旅行:听众与城市民谣相遇的过程解读

Mental Time Travel:An Interpretation of the Process of Audiences’Encounters with Urban Folk Songs

音乐可以带着听众去旅行,城市民谣让听众“走进”旅游目的地,走入音乐时空之旅,但其内在的心理活动过程需要深入解读。本研究基于旅游相遇理论,援引心理时间旅行的概念,运用程序化扎根理论,对网易云音乐平台歌曲《成都》的乐评数据进行三级编码,构建了听众与城市民谣相遇的心理时间旅行的过程模型。具体而言:首先,城市民谣是开启心理时间旅行的“按钮”,当下是心理时间旅行的“锚点”,记忆和自我是心理时间旅行的“机器”,听众通过记忆和自我穿梭于主观时间中的过去和未来;其次,听众的身体作为“情绪交错场”,不断积累着的主体情绪成为心理时间旅行机器的“润滑剂”,使得听众在音乐时空之旅中循环流转,跨越时空走进旅游目的地。本研究创新性地将旅游相遇理论和心理时间旅行的概念相结合,揭示听众与城市民谣相遇的音乐时空之旅的内在心理活动过程,也为旅游目的地营销组织提供了实践启示。

Music can guide audiences on a journey,with urban folk songs enabling them to“walk into”a tourist destination,travelling through musical time and space.However,the internal psychological processes require in-depth interpretation.Based on the theory of tourism encounters,this study employs the concept of mental time travel and applies proceduralized grounded theory to analyze music reviews of the song Chengdu on the NetEase Cloud Music platform across three levels.This analysis constructs a process model of mental time travel between audiences and urban folk songs.1.Urban folk songs work like a“triggers”for mental time travel;the present functions as the“anchor point,”while memory and self-act as the“machines,”allowing audiences to traverse subjective time,encompassing both the past and future.2.The audience’s body is an“emotional interleaving field,”with accumulated subjective emotions acting as the“lubricant”for the mental time travel“machine.”This process facilitates the audience’s journey within the musical time-space travel,enabling them to“enter”the tourist destination across time and space.This research innovatively integrates the theory of tourism encounters with the concept of mental time travel to reveal the internal psychological process of the musical time-space journey experienced by listeners of urban folk songs.Additionally,it offers practical insights for tourism destination marketing organizations.