摘要
本文在仔细梳理档案的基础上,结合故宫藏品,发现乾隆朝的后加款皆系将前朝漆器修补之后镌刻,可以分为后加年款与御制诗两大类,并对高宗有关漆器的欣赏品味做了初步探讨。
The author combs through archives and investigates objects in the collection of the Palace Museum, and finds that the imperial lacquerware with added marks of the Qianlong era were repaired ones of previous dynasties and added with the marks, which came in two types, namely, the mark of date and the inscription of Qianlong’s poems. The study is also a preliminary probe into the aesthetic taste of Emperor Qianlong or Emperor Gaozong of Qing.
出处
《故宫学刊》
2018年第1期282-294,共13页
Journal of Gugong Studies
关键词
清代
造办处档案
乾隆帝
后加款
御用漆器
Qing dynasty
Zaobanchu’s(Imperial Workshops) Archives
Emperor Qianlong
added marks
imperial lacquerware