摘要
学者对马王堆三号汉墓出土的帛画《'太一将行'图》的研究有多种视角,所得出的结论有的可能已接近于真实。但因可证的资料与理论逻辑尚待发掘,还未能形成较为一致的看法。如果转换一个视角,从这些已有的研究中寻找突破,把此图放在一个新的参照系——铸剑神话概念中进行思考,将有助于对帛画进行全新的理解。
Researchers have studied the painting on silk Taiyi on the Move unearthed from Han Tomb 3 at Mawangdui from different perspectives,and the conclusion they have reached is likely close to the truth.However,as provable materials and theoretical logic are still to come,they have not reached a unanimous opinion.If a new perspective is taken to seek a breakthrough from existing studies,and the painting is studied from a new frame of reference–casting sword myth,it will help bring completely new understanding of the painting.
作者
郑曙斌
Zheng Shubin(Hunan Provincial Museum)
出处
《湖南省博物馆馆刊》
2014年第1期23-29,共7页
Hunan Provincial Museum
关键词
帛画
铸剑神话
避兵
painting on silk
casting sword myth
avoidance of war