论歌剧《白毛女》唱段《杨白劳》的钢琴伴奏演绎

"Yang Bai-lao" piano accompaniment in the opera "white-haired girl"

《白毛女》是诞生于新中国成立后我国第一部歌剧作品,具有十分珍贵的艺术价值,它的创作涵盖了多种民族民间音乐形式,展现出鲜明的民族化特点。黎英海以钢琴为伴奏乐器所改编的唱段《杨白劳》深入民心,其钢琴伴奏部分更是发挥着情景交融的重要作用。本文阐述了歌剧《白毛女》的作品风貌,在了解黎英海音乐创作风格的基础上,对其改编的唱段《杨白劳》钢琴伴奏处理进行研究,将钢琴与声乐、剧情相结合,达到恰当运用钢琴配合声乐,延展剧情的学术目的。

'The white-haired girl' is after the founding of new China's first opera works, has the extremely precious artistic value, its creation covers a variety of ethnic folk music form, show a distinct national characteristics. Li Ying adapted by sea for piano accompaniment instrument aria 'Yang Bai-lao sink in the piano part but also the important role of play a scene. This paper expounds the work style of the opera 'white-haired girl', in understanding Li Ying sea music style, on the basis of the adaptation of the aria Yang Bai-lao piano accompaniment processing is studied, combining the piano and vocal music, drama, achieve proper use piano with vocal music, extending the academic purpose of plot.