摘要
根据玉霜藏明万历四十七年抄本《钵中莲》曲牌、文词及所用新腔的来历、音乐特点等 ,考辨该剧的剧种归属 ,认为其主要曲牌为“弋阳腔”曲牌 ,新腔为“弋阳腔”系统内声腔和“弦索”系统声腔 ,剧本和其它“弋阳腔”剧本一样为民间文学作品 ,因而可以初步认定该剧属改革后的“弋阳腔”
Judging from the names of its musical patterns, words and the origins of new musical patterns it adopted, the text affirms the drafted drama Lotus in the Bowl in the Era Wanli of the Ming dynasty to be attributed to the style of'Yiyang's musical pattern', which came from the folklore, but had been reformed. So Lotus in the Bowl belonged to the innovated drama?type of'Yiyang′s musical pattern'.
出处
《文学遗产》
CSSCI
北大核心
2003年第3期85-97,共13页