摘要
《三国志通俗演义》对于复仇主体行使复仇动机方式以及相关影响,都有多重表现。吴越地域复仇文化的长期侵染,和人们以此为尚的自豪感更是不应忽视的。鲁迅对来自复仇之乡的自已有复仇偏好,就毫不掩饰。小说在江东形象群尤其是孙权、徐氏等“超群杰出”的艺术表现中,围绕着主要人物的复仇观、人才观,从吴越复仇文化宝库和孙吴地区民间习俗中汲取了丰富养料。
There are different representations about the revenge persons how to revenge and the influences of revenge in Demotic Historical Novd of the Records of Three States. We should not neglect a long dipping in the revenge culture of Wu-Yue areas and the pride regarded as a glory. Lu Xun never covered up his coming from a revenge country and always praised himself for his revenge idea. He even encouraged and gave vent to his revenge desire at times. In the novel the outstanding artistic exhibition of the figure group in the East of the Yangtze River, especially Sun Quan and Mr. Xu's wife etc., surrounding main figure's revenge ideas and talent ideas mainly derives plenty of materials from the Wu-Yue revenge culture and folk customs in Sun-Wu areas.
出处
《苏州大学学报(哲学社会科学版)》
2003年第3期72-76,共5页
Journal of Soochow University(Philosophy & Social Science Edition)
关键词
复仇主题
复仇意识
孙吴文化
《三国演义志通俗》
区域民俗
revenge themes
revenge ideas
the Sun-Wu culture
Demode Historical Novel of the Records of Three States
regional customs