摘要
晚唐著名诗人温庭筠的诗歌显现出"艳"与"清"两种截然不同的风格取向,其中"艳"代表了中晚唐以后滋生于繁华都市中的艳俗思潮,是时代审美趣味的集中体现;而"清"则反映出孕育于山林乡野中的冷淡作风,是晚唐寒士心底式微的感怀与咏叹。这两种诗风在当时各自具有其现实基础和典型意义,展现了过渡时期晚唐诗风的整体风貌。
WEN Tingyun was an eminent poet in the late Tang Dynasty. His poems have two contrasting aesthetic style tropisms. The 'ornate' style represents raffish trend of thought, which arose in flourishing cities. This style is the concentrated embodiment of aesthetic tastes of the late Tang Dynasty. Moreover, the 'simple' style reflects the indifferent attitude, which was nourished in secluded countryside. This style is the decadent recall with emotion of the clerisy of low station. Above-mentioned two styles possess severally its realistic basis and representative signification. And open out the unitary style and features of the poems during the late Tang Dynasty.
出处
《周口师范学院学报》
CAS
2004年第3期33-36,共4页
Journal of Zhoukou Normal University
关键词
诗歌风格
艳
清
poetic style
ornate style
simple style