摘要
本文通过实证研究,对口述历史纪录片的影像化表达方式进行探究,运用了内容分析法、焦点小组法和扎根理论方法,发现:一、口述历史在影像化过程中面临"真实性"与"真实感"的博弈;二、重现方式可"有限补全"纪实资料的空缺,三种重现方式在真实性、艺术性、内容理解层面的传播效果差异显著。本研究最后构建了口述历史纪录片影像化重现方式的特征模型。
Through empirical research,this paper explores the image-based expression mode of oral history documentaries,using content analysis method,focus group method and grounded theory method,and finds that:first,oral history faces the game of"authenticity"and"sense of reality"in the image-based process;second,the reproduction methods can"fill in the gap"of documentary materials in alimited way.The three reproduction methods have significant differences in communication effects in terms of authenticity,artistry and content understanding.This research finally constructs the characteristic model of oral history documentaries\image reproduction.
作者
桂笑冬
赵东宇
Gui Xiaodong;Zhao Dongyu
出处
《中国新闻传播研究》
2019年第6期203-217,共15页
China Journalism and Communication Journal