摘要
“新的抒情”是穆旦在20世纪40年代自觉的诗学实践。他通过引入叙事性文类的叙事技巧,以小说化的人物视角、抒情主体的旁知眼光、戏剧性处境的营造等叙事手段,创造了一条非同寻常的抒情道路,使现代诗写作呈展现局面。其诗学意义在于,突破传统抒情境界的限制,拓展现代诗视域,穆旦使诗既成为时代的诗同时也是个人的诗。
MU Dan conscientiously praciticed a new lyricism in the forties of the 20th century. He introduced narrative methods of the narrative art into his poetic works. From the point of view of a fiction character and the viewpoint of an onlooking lyricist, and by means of such narrative devices as designing dramatic scenes, MU Dan has not only created an unusual lyricism but also made contemporary poetry assume a new phase. The significance of MU Dan' s poetics is that he has made a great break through the limited vision of ancient poetry and expanded the vision of contemporary poetry. MU Dan has succeeded in rendering his poems characteristic of his times and highly individual at the same time.
出处
《上海师范大学学报(哲学社会科学版)》
北大核心
2005年第4期93-96,共4页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
基金
2004年度校文科青年研究项目
项目编号DQW423
关键词
穆旦
“新的抒情”
叙事性
诗学意义
MU Dan, his new lyricism, narrativeness, significance of poetics