摘要
杜甫写有110多首格律精严的正格七律,又有明显的出离常规格律的倾向,因此产生了一些拗体七律。违律严重的部分曾被看作"大拗"的诗,与七古类的一些七言八句体诗并无多大差别,当作拗律看是不合理的。应该说,杜甫拗律写作很难说是新格律的创制。辨析七古、拗体七律、正体七律时,传统诗律学方法存在缺陷,应引入节奏和语感等因素。
DU Fu wrote more than 110 classical seven-character lu Chinese poetry, obviously his poem had tendency of drifting off classical Chinese poetry rules. These different lu was Ao-ti-poem. These regarded as "Big-Ao-Ti" disobeyed classical lu seriously, but had no difference with those the seven or eight sentence poem. It's unreasonable for these poem was treated as Ao-Lu. It's hard to say that DU Fu Ao-Ti poem is new classical Chinese poetry lu formulating.
出处
《江西财经大学学报》
CSSCI
2008年第5期68-73,共6页
Journal of Jiangxi University of Finance and Economics
基金
江西省高校人文社科重点研究基地2006年招标立项课题"中国文学批评与文体研究"
关键词
杜甫
吴体
拗体
拗律
拗格
DU Fu
Wu Ti
Ao Ti
Ao Lu
Ao Style