里盖蒂《永恒之光》中的微复调技法

The Micro-Polyphony used in Ligeti's Lux aeterna

自上个世纪二战结束以来,西方音乐可谓流派纷呈、风格多样,包括序列主义、十二音作曲法、新古典主义、新浪漫主义、简约主义、复杂主义、电子音乐等等。其中里盖蒂的名字在公众的心目中无疑占据了重要的位置,他成为当今世界乐坛上的一位顶级人物。自从他在1956——1957年间创作的管弦乐《幽灵》中用到了微复调作曲技法后,这一技法产生了很大的影响,之后很多作曲家纷纷效仿。文章试图通过他的一部混合唱作品《永恒之光》对这一微复调技法进行初步的探讨。

There have been varous schools and styles in western music are since the end of the second World War, such as serialism, technique of composing with twelve notes, Neo-classicism, Neo-romantic, min- imalism, complexities, and electronic music. Ligeti blongs to the top one in the in the music world. He created the technique of micro-polyphony in the orchestra work Apparitions during 1956 - 1957, which influenced a number of composers followed his example. The article discussed Ligeti＇s Lux aeterna with the technique of micro-polyphony.