摘要
从发生学的角度看,词通常是在歌舞宴饮的场合应歌伎即席演唱之需而倚声填写的,这使其有两个不同于旧诗的特点:一是比旧体诗更具即兴创作的意味,很少渗透理性,是纯粹的感觉印象依照传统诗性文化惯路的呈现;二是比诗具有较多应合社会交流的无形规约,因而在运思结构上更提倡套语的套路化组织。印象派式的表达和套语的套路化组织,可谓词的内在结构特征。新诗的传统继承在结构艺术上继承了词的印象派运思结构,但新诗的历史较短,套语和套路的积习不深,新诗的意象化词语及其组合直接来自诗人切身的印象感受,更富有直觉式运思的特点,原生态意味浓,新鲜活泼,更多来自于生活的健康色泽,从而避免了词的"滥调"。
Song lyric is often written at the banquet for song girls to sing, so it is different from old - styled poetry in two aspects. First, impromptu is more than reason. Second, form is more flexible, thus similar in the expression of impressionism. These features are inherited in new poetry writing, but because new poetry has a short history and image mostly comes from the author, the original taste is rich, fresh and lively directly from life, thus avoiding the hackneyed words of song lyric.
出处
《河北学刊》
CSSCI
北大核心
2010年第1期87-92,共6页
Hebei Academic Journal
基金
2007年度教育部人文社会科学基金项目<古诗今译研究>(07JA751019)
关键词
词
新诗
运思结构
印象式表达
套路化组织
song lyric
new poetry
conceivable structure
impressive expression
regular organization