客家民间文学与客家妇女历史地位的深层构成——以客家哭嫁歌为研究新视角

Hakka Folk Literature and Deep Construction of Women's Historical Status——A New Perspective from Hakka Weeping Songs

哭家歌,作为客家民间文学的一种特殊的表现形式,长期以来,没有得到研究,人们甚至忽视了它的存在。千百年来,客家哭嫁歌与客家妇女相随相伴,结下深厚情结。相对于其它地区,客家哭嫁歌更有它的深层表达与特殊的涵义。客家哭嫁歌是映射客家社会万象的一面特殊镜子,它是研究客家妇女社会属性的一种崭新视角。

Crying at home as the Hakka folk song literature of the kinds of special forms, for a long time, has not been studied; people can even ignore its existence. For thousands of years, Hakka weeping Songs and Hakka women have accompanied each other hand in hand, and forged a deep complex. Relative to other regions, the Hakka weeping song has its expression of deep and special meaning. Hakka weeping song has mapped side of the Hakka community in Vientiane special mirror, and is the study of Hakka women＇s social attributes from a brand - new perspective.