摘要
从神性诗和人性诗的变奏看,中国诗歌多以人性诗为基调,而神性诗则多付诸阙如。正是从这个角度说,以《离骚》为代表的楚辞文学对于神性的抒写,以立足于他在视域的吟唱,表现生命理想的他在境界,便在中国诗歌史上具有了独特的价值。《离骚》的神性诗特征和他在性维度主要体现在命名的神圣、神人求合的艰难、向死而生的超越和诗人对于神性缺席的政治庸俗化时代的反省、批判乃至绝望。
Chinese poems, mostly on humanity, pay little attention to divinity. Therefore, the songs of Chu, which finds its fullest expression in Lisao, focusing on the divinity, is of great value in the histo- ry of Chinese poems. The character of divinity and other dimensionalities are represented in the following four fields: the divinity of naming, the pursuit for intergration of Gods and men, the meaning of life found from death, and the reflection, criticism and even despair of the absence of divinity.
出处
《南京社会科学》
CSSCI
北大核心
2011年第1期135-142,共8页
Nanjing Journal of Social Sciences
关键词
《离骚》
神性
他在
神性诗
诗人
Lisao
divinity
the other dimensionalities
the divine poem
poet