摘要
在《天真之歌》中布莱克用"土造水笔"重塑童心,开启了天国之门,充分表现了一种深广的宇宙和谐观,即人在心灵中有童心引导的与上帝关系之和谐,与他人关系之和谐,与大自然关系之和谐。《天真之歌》所蕴涵的和谐观与儒家思想内核具有契合之处,即人类心灵中主客体关系的内在和谐,人与人之间、人与自然之间关系的和谐。
With a "rural pen" William Blake remolds the childlike innocence in his Songs of Innocence,in which the heavenly gate is opened to the perception of theme of harmonious relations between human beings and God in the human heart with the guidance of childlike innocence,between man and man,and between man and nature.The harmonious view in this collection of poems accords to the core of Confucianism with its connotations of harmonization within the inner human heart in terms of subjectivity and objectivity,man and man,man and nature with the unity between the three elements in all the relationships.
出处
《长沙理工大学学报(社会科学版)》
2011年第2期106-109,共4页
Journal of Changsha University of Science and Technology:Social Science
关键词
《天真之歌》
和谐
基督教
儒家
Songs of Innocence
harmony
Christianity
Confucianism