摘要
儒家传统的道德观念一直影响着整个朝鲜社会。朝鲜文人在塑造女性形象时总是把情感艺术上的"美"同儒家思想中传统的道德规范结合在一起。而以朴趾源为代表的进步文人对美进行了重新定义,并创造出不同于以往的女性形象。本文通过对朴趾源作品中女性形象的分析,来探究朝鲜文人审美意识的转变,并进一步揭示朝鲜女性主体意识的觉醒。
Traditional ethics of the Confucianism has made great influence on the whole Korean society. When shaping the image of women, Korean scholars always combine the sense of "Beauty" in the emotional art with the traditional ethics of Confucianism. But Ji Won Park as the representative of the progressive scholars began to redefine "Beauty" and created an unusnal image of women. This paper intends to analyze the image of women in Ji Won Park's works and to explore the changes in the aesthetic consciousness of the Korean scholars, and further reveal the awakening of female consciousness in Korea.
出处
《北京第二外国语学院学报》
2012年第4期40-44,共5页
Journal of Beijing International Studies University
关键词
朴趾源
儒家审美
女性形象
女性意识
JiWonPark
Confucian Aesthetics
Female images
Feminine consciousness