摘要
《邯郸记》借吕洞宾点化卢生的故事,反映了明代中晚期科举制度的黑暗和官场的腐败。剧本语言简练,结构紧凑,排场安排合理。明清时期在舞台上演出频繁,其演出具有特定的宗教文化内涵。
The Handan Dream reflects the darkness of the middle and late Ming Dynesty, such as imperial examination system and the corruption of officialdom, by ＂Lv Dongbin Enlightened Lu Sheng＂ story. Screenplay has brief statement, compact structure, pomp arrangements and it performed frequently on stage in Ming and Qing Dynasties. Their performances have specific religious and cultural connotations.
出处
《闽江学院学报》
2012年第6期63-67,共5页
Journal of Minjiang University
关键词
汤显祖
《邯郸记》
八仙戏
Tang Xianzu
The Handan Dream
the Eight Immmortals play
