摘要
就文学创作而言,1917年文学革命发轫后,虽有一些白话诗出现,但毕竟是晨鸟噪春,不一定令当时规摹唐音宋调者多么佩服。但是鲁迅《狂人日记》一出,敏锐的青年已经受到"两种的语言,两样的感情,两个不同的世界"的精神震撼,他们感觉"犹如久处黑暗的人们骤然看见了绚丽的阳光",或者比喻为"譬如从薄暗的古庙的灯明底下骤然间走到夏日的炎光里来,我们由中世纪跨进了现代"。鲁迅说,最初的一篇《狂人日记》发表后,"便一发而不可收"。由此连声呐喊,喊出了新文学的一片新天地。这种呐喊有何种生命的根据?根据看完社戏后吃了阿发家和六一公公罗汉豆?根据故乡深蓝的天空中挂着一轮金黄的圆月?根据大队军警架好机关枪,围住土谷祠抓阿Q?……还是根据这一切,都被关锁在一间绝无窗户而万难破毁的铁屋子,而要掀翻这铁屋子?总之,鲁迅的《呐喊》,曾被推举为"二十世纪中文小说一百强"之首,总应给出它的生命根据来。
As for creation of literature, after the literary revolution began in 1917, although some vernacular poets were composed, they were not not good enough to make the people who reverence the literature of Tang & Song dynasties admire them. But after the Diary of a Madman was written by Lu Xun, the keen youth have been spiritually moved by "two languages, two kind of feelings, and two different worlds ". They seemed to have moved from dark to daylight. Lu Xun said, after the publication of the Diary of a Madman, he could not help writing more, and it was just like a scream which shouted out a new world of literature. What kind of life basis there was for the screaming? Was it locked in a windowless iron house? Should such a house be unroofed? In Lu Xun's novel Scream, which was honored as the best of the top 100 novels of the 20th century, the life basis will be found.
出处
《广州大学学报(社会科学版)》
CSSCI
2014年第3期45-53,共9页
Journal of Guangzhou University:Social Science Edition